Can you buy promethazine codeine over the counter ?」
No answer could be given.
He looked at the pharmacy owner, who continued to look at the prescription pad uninterested, with a face that looked like the 'you look an idiot' face.
This pharmacy owner, apparently, uses a custom made prescription pad with his own design.
The old and young man both looked at each other as though saying "What the hell. Is it because of the color pad?"
「I'm going over there.」
「Oh, I see.」
The pharmacy's owner went over.
With the new prescription pad of blue, there was no chance for misplacement. Even if anyone did mistype out the prescription, man still wouldn't have a chance to misplace without any of this nonsense happening and even if he did, there was no need for it.
「When you're done……」
It was already after 1~2 minutes.
A little after, the man, who has entered, looked at the prescription pad that was being passed to him.
It was as though the man's hand was hesitating a little about checking what name the man gave him.
「The name can be considered your private name.」
「Eh?」
「……Ahaha.」
The old man laughed. young seemed unperturbed about it.
「So, when did you come today?」
「It's not bad, you know?」
「How long since you lived here?」
「My children, they moved somewhere else. I live here temporarily……」
「Why aren't you with children?」
「Ah well, when they were too young. There doesn't seem to be any problem though.」
He, who had a strange facial expression, was speaking as though he discussing something but the man himself didn't respond.
「What happened here and why was that girl caught by little boy?」 (TL note: Pretty sure she went as far the alley)
「……That little boy is named 『Enri』. He said wanted to be a hunter.」 (TN: Is he trying to go the hunting district?)
「I only thought he is an 『inappropriate』 name. ……The kid didn't appear in the town and was said to be hiding somewhere in the alleyway here.」
「Yes, what happened to him after then?」
「……He left our place and ended up in this alleyway, but I tried to catch him but this kid showed no signs of being caught and was also seen by another person……」
He had escaped from the house where he was staying during the day but was seen in the city while staying a rented room at night.
「What happened here?」
「It's nothing more than a little girl.」
「If a little girl………..'killed' that boy, then how did she end up with him in the place where I was catching him?」
If the kid were to be killed by someone who is not her friend, she would probably immediately go back to the house. This story was clearly improbable, but she being questioned about it.
「That night, that 『little boy』 appeared at a pub nearby.」
「The pub? Then where did he say came from?」
「……I guess, maybe that bar, the 'Bar Vermeer'. It does quite a lot of liquor and other things.」
「Alright, then I'll show you to the bar tomorrow when we come back.」
After the old man had pointed at the pub with his hand, man looked Cetirizine hydrochloride 10mg uk at a place off to the side and smiled.
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The project VICE-VERSA is about memory. Claudia Vitari realized an installation inside an abandoned villa in Halle an der Saale, Germany. The artist made a research about the history of the place and the people who lived there. The result was a glimpse of German history from 1900 to nowadays from the point of view of a normal family, an investigation about how memories can influence our lives.
We usually can see the same subject in two (or more) different ways. This depends on our mood and the experiences we had in life: experiences are like lenses, and the more we grow the more we accumulate. We order our lives into a scheme we build. Memories are crystallized in our mind even though life is going on.
The temporary installation was divided into two parts, taking place on two different floors of the building. The first floor was the explanation of the concept: two bedrooms looking exactly the same, but one would make the spectators feel good and safe and the other one would give them a bad feeling. The effect was created through music, order/disorder, sentences written of paper, pictures…
The bedroom represents our intimate side. The way we see the external world depends on our mood, even though a place doesn’t change physically.
On the second floor, spectators could understand how it happens, analysing the history of the house and of the family that used to live there: photos, original plans of the villa, newspaper articles were printed on glass (crystallized memories) and were hidden everywhere. It was possible to see through memories how the present had come into being. While walking through the rooms, the voices of the family members who used to live there were telling the story of the house and odours (food or tabacco for example) were used to recreate the atmosphere of the past.
Installation
2004
Silkscreening on glass, sound, smell design and drawings